Virginia Woolfs To The Lighthouse Essay -- To The Lighthouse Essays

She was not inventing she was only trying to smooth out something she had been given years ago folded up something she had seen. For in the rough and tumble of daily manner, with all those baby birdren about, all those visitors, one(a) had eternally a sense of repetition-of one thing falling where another had fallen, and so setting up an echo which chimed in the air and made it to the full of vibrations. (199) What causes that crumpling? What makes the accumulated images fold up over the years? How potentiometer one smooth out the folds? These argon the pivotal questions raised in the to a higher place passage, which captures the central exploration in Virginia Woolfs To the Lighthouse. Change and chaos create folds in Lilys life. She clings to images of Mrs. Ramsay as an iron. For there are moments when one can neither signify nor feel, (Woolf 193), but even in the agony of intense change, one can always see. Like a muse, Mrs. Ramsays lasting presence inspires Lily to create a painting that irons out the folds. Lily eventually accepts some distance from Mrs. Ramsay, as well, which becomes another liberating step in the process of smoothing out her jagged soul. When those images are rediscovered, and sometimes re-invented, change is produced. Ultimately, Lily is released from the past, while smoothing out the creases. Lilys ambivalent feelings toward Mrs. Ramsay make her life creased and conflicted Lily feels forced to choose between rejecting the beloved mothering figure or sightly again a panicky, dependent child whose poor self-image undermines her ability to contract a vision of her own (Caramagno 253). She tends toward the position as dependent child because it brings permanence, but she vacillat... ...in To the Lighthouse. Philological Quarterly. 14 April 2002 <http//newfirstsearch.oclc.org/WebZ/>. Lilienfeld, Jane. Where the Spear Plants Grew. New Feminist Essays on Virginia Woolf. Ed. Jane Marcus. London M acmillan Press, 1981. Mepham, John. Criticism in Focus. New York, NY St. Martins Press, 1992. Minogue, Sally. Was it a vision? Structuring void in To the Lighthouse. Journal of Modern Literature. 12 April 2002 <http//newfirstsearch.oclc.org/WebZ/>. Rosenman, Ellen Bayuk. The Invisible Presence Virginia Woolf and the Mother-Daughter Relationship. he-goat Rouge Louisiana State University Press, 1986. Stewart, Jack. A Need of Distance and Blue Space, Color, and Creativity in To the Lighthouse. Twentieth Century Literature 12 April 2002 <http//web6infotrac.galegroup.com/itw/infomark/>.