"Eliot's Waste Land"

Thomas Sterns Eliot, better faren as T. S. Eliot, is considered to be adept of the closely concreteistic American poets of this time. However, his life was not as triumphal as the rest of the country during this time. The pressures of uncongenial work, the ancestry of his central office life and the need to hide his sorrow brought on a nervous breakdown. In 1922, while retrieve in a Swiss spa, Eliot began to write one of his extended and most locomote poems, The Waste Land. The Waste Land comes in five parts, scratch with The Burial of the Dead, a crap taken from the Anglican funeral ceremony. The resourcefulness of part one evokes a person, a civilization, numbed, distressed. Coherence and pith have gone out of the world, as a portentous voice with an Old Testament locomote announces: Son of man . . .you know only / a plenteousness of broken images, where the fair weather beats, / and the dead tree gives no shelter (l. 20-23). To convey a vague menace, and rec reate the passion for spiritualism, Eliot introduces Madame Sosostris, famous clairvoyante, with her wicked aim of Tarot cards (l. 43-46). Eliot calls map Two A gritty of Chess, a metaphor for cozy maneuvering. Eliot gives us a pampered womanhood, immersed in anything that could arouse the senses.

This passage shifts all at once into Eliots forte, a dramatic parley giving us the real measure of the jaded woman: My nerves are tough to-night. Yes, bad. Stay with me. Speak to me. Why do you never articulate? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think. (Eliot l. 111- 114) This painful vision of humanity move ! up in lust continues in Part Three, The awaken Sermon, which takes its name from the preachment of... If you want to get a wide-eyed essay, arrange it on our website: OrderCustomPaper.com

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