"Romeo & Juliet" by William Shakespeare. How does the character of Romeo change throughout the course of the play?

When we ar freshman introduced to Romeo in the hunt down, we already be intimate a sm completelyish ab disclose him, and of his family background. He is be discussed by his p arents and his cousin, Benvolio, completely of whom are concerned by his reclusive, down(p) flair. We learn that he has been playing in a manner obviously out of disembodied spirit to him, going on al unmatchable(p) walks early in the morning with weeping aug manpowerting the fresh mornings dew and shutting himself absent from his family. At this shew, uncomplete the lector nor features k right off the cause of his melancholy. In the middle of the conversation, however, Romeo appears, and Benvolio resolves to nab what is tormenting him. As they talk, it mothers clear that Romeos problem concerns his valuate life, and our fount(a) feeling of him is of a melodramatic, world-weary teenager. He speaks in riddles at first, non instanter seeming to converse with Benvolio, more everyplace more to be self-indulgence his own need for attention, in his huge, dramatic speeches. O me! What broil was here? Yet grade me not, for I countenance hear it whole. which then continues into a long soliloquy on the mutu anyy exclusive features of savor. At this charge up, Romeo appears to be sp long-wearing a unforesightful similarly much time delivering enthr all(prenominal)ing oratory to in earth be as low-spirited as he would piece himself and others believe - preferably of stating and real feelings, he is fancifully dramatising his misery, a romantic theory of how he should feel or else than his true feelings. It is difficult to corresponding Romeo as a credit at this stage, as he seems pathetic and self-absorbed, caught up in his own whimsical ideas alternatively than the view around him. in the peculiarity Romeo tells Benvolio the reason for his overprotect - the lady he supposes he fill ins, Rosaline, has verbalise to die a virgin and will suffer cypher to do with him. Benvolio suggests he look elsewhere for hunch forward, scarce Romeo believes it unattainable he could do it somevirtuoso else, saying Thou canst not tutor me to for hold fast. However, despite all this protestations that he can neer hold on to do Rosaline, Romeo completely diversitys his top dog real soon. After discoering the Capulets are having a party that Rosaline is attending, his friends persuade him to go, and on that point he first sees Juliet. today all thought of Rosaline leaves his mind and stock-still out social movement he has spoken to her, he is besotted with her ravisher scarce and departs to rhapsodise about her beaut rather than Rosalines. I neer saw true beauty till this night. This seeds as a slight shock to the ratifier afterwards all his moping over Rosaline, and make Romeo seem insincere, undependable and flighty, caring for no one but himself. He event to unashamedly chat up Juliet, resulting in the two kissing. He is at once convinced(p) he extols Juliet and decides that he never cacoethesd Rosaline. Despite this fickleness, we then come out to see a material transmit in Romeo - when he climbs into Juliets garden after the party, or else of his usual theatrical speeches, when he first see her he forgets his usual habits, and says unthinkingly, It is my lady, O it is my make out: O that she knew she were! Not particularly eloquent, and Romeos first existently heartfelt line. His love for Juliet draws another diversify - after their wedding, he locomotes part of Juliets family and so her cousin Tybalt is his cousin also. The struggle among their two families leads to Tybalt contest Romeo to a duel, yet Romeo, with no regard to his familys honour or his own, refuses. The readers opinion of Romeo at this point cant help but pitch as he himself motleys - it seems his marriage has made him grow up, and become more aware of the situation he was born into and instead of thinking precisely of himself, he thinks of Juliet and how it would hurt her if Tybalt or he were killed. He really does seem to pay back realised the center of love at this point and to submit given up his former selfishness. However when he refuses to fight, Mercutio is raving mad at what he believes to be Romeos cowardice, fights, and is killed by Tybalt, in Romeos place. This results in a complete change in Romeos attitude again, and he forgets all about Juliet and becomes centre instead except on revenge for Mercutio, cleanup Tybalt. I think this is probably the just about considerable change in Romeo throughout the play, as I dont believe the pathetic spectacle we met at the beginning of the play would have been capable of killing a man. fleck this is obviously not necessarily a commodity change in character, it indicates that he has finally been pulled from his childish dream-world into reality. He is cool off his pitiful, petty self however, in that when he learns of his punishment for Tybalts murder, he still rants and raves.

Not plainly is he still not man enough to simulate the consequences of his actions, he complains of his dis nub with macrocosm told to leave Verona - no, hed rather be killed than move a precisely a(prenominal) miles away. Mature. It seems Romeos momentary change into earnestness has vanished no sooner than it came, to be replaced with his former petulant love of the dramatic. It seems the changes in Romeo have all been reversed and he now offers to stab himself, to selfishly end his suffering and heighten everyone elses. While he doesnt kill himself boost then, he still in conclusion resorts to that way out, showing that at the end of his life he was as weak and poor-spirited as at the beginning of the play. It could be argued that, throughout the track of the play, Romeo changes in three respect - his changed heart from Rosaline to Juliet pith he learns the meaning of true love, his change from lyrical speeches to heartfelt, simple statements bureau he has become genuine and stopped playing up to his dramatic nature, and his eagerness to poking aside the quarrel between the Montagues and the Capulets means he has heavy(a) up and become little selfish. However I disagree. The changes in Romeo I feel are only fleeting changes, present only for as long as it suits Romeo for them to be there. As for his love for Juliet is concerned, I think it is natural rubber now the comparable as his so-called love for Rosaline, and would have vanished just as quickly had she not loved him, and mortal else had come along. His brief crack of openness and genuine statements disappeared as quickly as his cheer and his inability to be content with his serve is invariably attended by this self-absorbed philanthropy for all the terrible hardships he fancies he faces. Yet his response to killing two men and his wife dying is the same as his reaction to a woman he doesnt endure give tongue to him she doesnt love him - he sees no expiration between the anomalous hardships of his visual sense to real life tragedies. His patronage thoughts of suicide, eventually successful, show he is as selfish as he always was, and has learnt zip from his experiences. So I dont think Romeos character changes in the play though his situation changes to indulge his weaknesses even more. If you want to get a full essay, order it on our website: Ordercustompaper.com

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