William Shakespeargons tragedy, Macbeth, deals with the issue of hu worldityhood in a or so unconventional way. Instead of presenting a protagonist who buzz offs the dependable genius of world by dint of his every action and thought, Shakespe ar presents his audience with Macbeth, a character who is laboured to struggle with the comment of homosexualhood passim the replete(p) play. In addition to Macbeth, Shakespe are alike presents his audience with the varying viewpoints of divergent men and even women of the play as to what true musical compositionhood is. By noting these polar percepts, the reader is able to restrain general observations about man, that it is intricately related to strength, that it pile be displayed d maven and through and through feats of fortitude, and early(a) types of similar observations. However, it is difficult to r severally whatsoever one conclusion as to how Shakespeare defines human beings in Macbeth. interestingly enough, it is quite possible that this is Shakespeares very intent. Shakespeare ch everyenges his audience to gain ground their bear interpretation of manhood. By doing this, Shakespeare drives home the point deafening and clear: every man must obtain his take in conclusion about manhood from within himself. In vagabond to be a true man, it is necessary to find ones give got definition of what manhood is.
Many times, manhood is attributed to the courage of an unmarried. The savvy for this is that courage signifies inner strength through the poseation of limitations and through surpassing those limitations. True courage, however, stooge only be specify by that individual himself because only he knows the limitations to his witness courage. courageousness has many different levels and facets. It is relative to each man; what may be courage to one man may not be to another(prenominal). The causality for this is because every man has his set of limitations to his courage. not every man experiences the same fears and confronts the same dangers. The meaning of courage can also change according to different situations. A spend on the battlefield must summon up a different type of courage than that of a man about to propose to a woman. All men confront different types and levels of worries. Based on these experiences, a limitation is found within each man. This is why true courage can only be achieved through ones bear leave. There is no other soul that can define another persons limitations for him. By realizing these limitations and confronting them, true courage is displayed. True courage make senses with the realization of ones admit character, not through the fulfillment of what others turn over defines courage. Macbeth, at an early point in the play, shows the very meshing mentioned above with his beloved skirt Macbeth. Lady Macbeths definition of courage is attributed to pursuing ones ambition. She believes Macbeth lacks courage because he is un leaveing to follow his take ambitions. These beliefs are revealed when she states, Thou wouldst be great, art not without ambition, but without the illness should attend it (I,v,18-20). Lady Macbeth tries to appeal to Macbeths ambition by imposing her proclaim definition of manhood on him. However, Macbeth finds himself reluctant to pursue it. The reason is because the limitation that Lady Macbeth asks him to confront is not his own. To Macbeth, her view of courage does not coincide with his view of courage. Committing the murder does not allow him to surpass the limitations to his own view of courage. Rather, he is attempting to confront and fulfill Lady Macbeths definition of manhood. Macbeth attempts to reassure himself of this when he says, Prithee peace! I make bold do all that may become a man; who dares do more is none (I,vii,46-8). Macbeth reveals his desire to do all that he is able within himself to achieve manhood. He also reveals his hesitance to do more than is necessary to fulfill it, signifying that overlap the line of his own limitations would go so far as to deprive him of his manhood. This distinction is revealed in Shakespeares use of pronouns. The jailbreak from I to who signifies a change from his own view of courage to one that is not his own. Macbeth is unable to achieve manhood at this point because he does not seek to surpass his own limitations and follow his own definition of courage, but allows himself to be swayed by Lady Macbeths pursuit of her own view of manhood through him.
In addition to courage, manhood is also revealed by the way an individual deals with bolshy. The interesting idea about want is that it defines manhood for different individuals in varying ways because different men have different views of that which is important to them. Losing or sothing dear forces a man to acknowledge the importance of that which he has lost and reinforces his will to encourage what he still has. Inner strength is cultured through this protective attitude and it is this inner strength that reveals the characteristics of a man. The more an individual loses, the stronger he becomes because his will to protect is fortify more and more with the pain of each loss. However, the methods of dealing with loss and the strength shown through these experiences also differ for each man. The reason for this is that each man has his own views of that which is important to him. These views can be affected and changed through new losses and gains, but they are still preposterous to each individual. It is through each mans own convictions and experiences with loss that they are able to put one over their strength. Because each man defines his manhood though his own singular erudition of loss, it is difficult to impose on that individual another mans definition of manhood. The experiences that each man carries are unique and inner strength through loss can only come from within ones own experiences and perceptions. Perhaps the superlative example of loss in Macbeth is Macduffs loss of his entire family. Macduff conveys his own definition of manhood when he states, in result to Malcolms encouragements, I shall do so; but I must also feel it as a man. I cannot but remember such things were, that were most precious to me sinful Macduff, they were all struck for thee! (IV,iii,223-7). Macduff acknowledges the importance of his family, but more importantly he reveals his indignation at the fact that their deceases were, to a bragging(a) degree, his responsibility. In this case, Macduffs will is focused on the caper of protecting their memory by assuming his responsibility and pursuit vengeance. It is through this will to protect that Macduff draws his strength and establishes his own unique perception of what manhood is. For Macduff, being a man heart and soul dealing with the loss of his family by protecting their memory through vengeance. This, however, can be contrasted with another perception of loss. Lord Siward suffers a loss almost equally as damaging as Macduffs loss; he loses his son. However, Siwards response to the death of his son is quite different from Macduffs response. Siward honors his sons death when he proclaims, Why then, Gods soldier be he! Had I as many sons as I have hairs I would not wish them to a fairer death. And so, his knell is knolled (V,viii,44-8). Siwards definition of manhood is fulfilled through his son, who fought bravely and died like a man on the battlefield. His perception of loss is distinctly contrasted with Macduffs because the importance of his son lies on a different level than Macduffs family did with Macduff. For Siward, the fact that his son fought bravely and did not flee conveys the greatest importance. He states, Hes worth no more. They say he move well and paid his score. And so, God be with him! (V,viii,50-3). His will to protect is focused on preserving his sons memory by honoring him with pride, and not with lamentations. Siwards perception of manhood is ground on the importance of bravery and honor. When Macduff and Siwards perceptions of manhood are compared, it is plain to see why each of their views of manhood would have to come from within themselves. Because the issue of loss deals with such different aspects of importance within the two men, the only way that each of them would be able to fulfill their own perceptions of manhood would be through their own unique convictions and priorities.
Lastly, a true man abides by his own set of beliefs.
macrocosm true to these beliefs demonstrates will power of manhood because it conveys strength in ones identity. It shows a possession of auspices and assurance in ones own values and consistency in ones character. A strong foundation in ones beliefs conveys inner strength. Being untrue to ones beliefs however, weakens that individual tremendously because although others are unaware, he is forced to face his own sullen olfaction, his own façade. This awareness erodes agency and assurance as to who he is as an individual. In other words, his sense of identity is weakened and his inner strength is diminished. This is why true manhood, through the strength of ones beliefs, can only come from within an individual. Every man has his own set of beliefs and cannot be told that his beliefs are mistaken. By experiencing life, men all exit their own separate conclusions. In fellowship to be true to oneself, one must derive his own conclusions and beliefs in life from his own experiences and trials. If a man lacks the experience, then he lacks a unfluctuating foundation upon which to build his beliefs upon. Shakespeare conveys this though his use of the supernatural in Macbeth. The scenes with witches and ghosts serve the purpose of reveal Macbeths own reputation to him. In the scene where Macbeth sees Banquos ghost at his dinner table, he cries, Unreal mockery, hence! (III,iv,108). When the apparition leaves, he sighs with relief, Why, so; being gone, I am a man once again (III,iv,108-09). It is interesting to note Shakespeares diction when Macbeth attempts to banish Banquos ghost. Macbeth refers to Banquos ghost as a mockery, which would signify that Macbeth sees some part of himself, a reflection or display of his own identity, in Banquos spirit. It is also interesting to note that unless before this incident occurs, Macbeth is toasting his dear friend Banquo, whom he claims to miss. The conclusion derived from such an exchange would be that in magnitude to punctuate Macbeths falsity and emphasize his loss of manhood from it, Shakespeare utilizes the supernatural, Banquos ghost, in order to symbolize Macbeths false nature. This serves to reveal Macbeths trepidation and hesitance at the candidate of facing his own falsity regarding his own beliefs. As the spirit departs and Macbeth is no longer forced to confront his fictitious nature for the time being, he claims to be a man again. The justness is that Macbeth is slowly losing grasp on the reality of his own being because of his façade. His sense of identity is slowly eroding away and he loses his manhood with it due to his diminishing inner strength.
        Although Shakespeare presents many perceptions of manhood through the characters of Macbeth, he allows the audience to struggle with their own definitions of manhood based on their observations of the play. Shakespeare is able to utilize this struggle to convey a deeper and more significant meaning as to the definition of what it is to be a man. The message that is ultimately conveyed is that only an individual can determine how that individual will become a man. By searching ones own character, an individual is more believably to reach a definition of manhood that is most suited for him. Eventually, even Macbeth redeems himself by assuming his role as a soldier once more. By being true to his own nature and by abiding by his own perception of manhood as that of being a warrior, Macbeth discovers the strength that allows him to reach the conclusion that he is looking for. Through his struggles and his losses, Macbeth realizes that in order to find an answer, he must look within himself. During his last(a) battle with Macduff, the conclusion he reaches coincides with his soldiers nature, revealing a completion of manhood within Macbeth: I will not yieldYet, I will try the last. (V,viii,28-34) Ironically, it is through the loss of the battle that Macbeth gains the victory for himself.
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