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Thursday, April 11, 2013

In "The Lamb" and "the Tiger" William Blake's speakers present a distinct duality of the human understanding of god

The Dichotomous Duality of Divinity

How does one understand the concept of matinee idol? Classic Christian beliefs dictate to their worshippers that he loves all creatures so much that supposedly his son came to earth and died for the sins of mankind. But if he loves all of humanity, and forgives all, how can hell exist? This presentation of perfection as one who always forgives but always punishes creates a contradiction that forces people to examine and reexamine their understanding of the unceasing force. William Blake, Christian 19th century writer dealt with this question of theological system fudge done his writing. In his poems The Lamb and The Tiger, Blakes loudspeakers present a clean-cut duality of the human understanding of paragon.

Blake deliberately presents the dual natures of god through human eyes. In The Lamb he chose to recitation a child as the speaker instead of himself because it removes the speaker from a place of creation. The Tiger demonstrates how people observe a supreme being in human terms. By using the words, hammer, furnace, and anvil, the speaker creates images of a smith, a very human line of credit of creation. The perspective of people establishes the dominant theme of humans essay to understand god.

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By grounding the observance of god in human terms the speaker creates two disparate perspectives of divinity: loving and mysterious, or personal and distant.

In The Lamb, the speaker presents the nature of god as clear and simple. God calls himself a lamb, because He is lowly and he is mild, (15). The lamb, a small, young, timid creature parallels the child in its representation of love and meekness, two common Christian values, through its creation by god. The child asks the lamb who made thee? and in the course of the text, answers its own question (1). This...

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