What is at stake in elaboration cannot be barely reduce to identity expressions (national, geographical, religious, communities). Economic dimensions of assimilation has more(prenominal) and more to be taken in consideration if one deprivation to understand arguments and debates developed at national and international train on this topic.
Today, issues related to culture are often dealt with in relation with pagan diversity, a concept that has only late replaced the notion of cultural exception, which itself surfaced during the Uruguay Round in 1993. The swag from one term to another is not merely semantic. It reflects the offshoot of a broadened concept of cultural stakes in the scene of globalization. These stakes are no longer strictly reduced to the need to maintain an international balance in the proceeds and exchange of cultural goods; they rather convey a maturation concern to defend identities (national, geographic, religious, historical, etc.) in a globalized world where culture quite naturally has its place.
A countrys desire to protect the specificity of its cultural industries is not new. From time immemorial, culture has fed on exchanges between neighbours, or even between colonizers and colonized, without going as far sand as ancient Greece, which by and large appropriated Egyptian culture before being plundered itself by the Romans.
More recently, David Putnam (1) state that, in the film persistence, defending a national industry in a context of international trade arguing between Europe and the United States has consistently been a concern, both(prenominal) for the Americans (before the First World War) and for the Europeans (since then).
Yet there is no gain verbalize that the intensification of trade and the existence, at the world level, of multimedia groups integrated into product and distribution pose the national question in the cultural field in new terms: cultural goods so tend to be...
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