Daddy

Sylvia Plaths Daddy is perhaps her most famous work. The mind of the meter is a reflection of her inner turmoil and the agonistical kinships she had with the dominant male figures in her life, these being her paternity and her husband. The poem is filled with images that described the emotional distress invoked by these men. The principal(a) images are of shoes and of feet. In lines 2-3, she compares herself as a backside in her fathers black shoe. This embodies the preventive yet suffocating nature of their relationship.

The main symbols of the poem get out the male figures as God, a Nazi, and a vampire. This illustrates her declining perspective of her father once the real nature of their relationship is revealed. She calls her father aGod (8), representing the omnipresence and power her father had over her. In lines 34-35, she refers to herself as a Jew, and in lines 42 47, characterizes her father as a Nazi. In fact, the poem contains many allusions to Hitlers Nazi regime, i.e. Meinkampf, Luftwaffe, and Auschwitz. This once again stresses the oppressive and domineering relationship she shared with her father. The vampire images can be seen to refer to her husband, as he has taken over her fathers business office of drinking the life out of her (73).

Plaths choice of spoken language is simple but reveals her anger and resentment towards these two men. harmonise to Roger Platizky, the frequent use of the echoing oo sound not scarce shows the authors state of immaturity, but it demonstrates her incomplete, though desired, arrest to her mourning(Platizky, 106).

The poem has a conversational rhythm. It contains no rhymed scheme and has a speech-like flow. The rhythm conveys an intimate and personal tone, as it seems like Plath is speaking directly to...

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